Backdrop/Background Support System

Since I tend to be a DIYer with my hobbies, I thought about building my own background/backdrop support system for portrait photography.  After much research, I decided against it.  I'm not handy with electric tools and overall it would have been a lot of work.

My brother sent me a link to Cowboy Studios.  I looked around and saw some pretty good support systems.  I knew the main bars that holds the fabric had to be strong.  I've read where other manufacturer's mid section would sag under the weight of the muslin or paper.  I decided on their 10 foot Premium Heavy Duty System (901).  I searched my favorite site and was able to apply my rewards points.  Another great deal.

Way before purchasing this support system, I had already purchased the fabric.  I was at my local G-Street Fabric store and rummaging through their clearance tables when I found this wonderful fabric:

The fabric is not close to being white, but for my use it will do for now.


Here's the Cowboy Premium Heavy Duty (901) Support System:

Here's where the top bar sits on top of one of the adjustable stands:

The two top bars connected (slide one bar into the other and turn 90 degrees):

The logo on one of the stand's leg:

One of the sturdy stand legs:

The storage bag.  The two outer pockets hold the two stands and the inner holds the 4 support bars:  

The bag zipped up and ready to go:

My temporary studio setup with fabric draped over the bar (only have two support bars put together):

For the first few sample pictures I've taken with a fairly wide open aperture, the creases and wrinkles from the fabric don't show.  I will have to invest in a portable steamer later.

I went with a portable system as I do not have the space to setup a permanent studio.  Setup of this portable background system doesn't take too long to install or take down.  Basically, I setup and open the two stands and adjust for height.  I take two, three or all four bars and connect them.  I move my stands apart to fit the length of two, three, or four bar widths.  I lift the bar and place it on top of the stands.  I place and screw down the wing nuts on the pole/stand.  That's it!

Nikon CLS (Master and Slave)...My First Studio Shot

This evening I was staying out of hubby's way.  He was working on his sermon for tomorrow's service.  I decided to pull out my Nikon flashes and try out the Nikon Creative Flash System or CLS.  I did an informal studio setup.  Nothing elaborate.

I had my SB-600 with a medium size softbox on a tripod.  My new SB-700, attached with my Gary Fong Lightsphere was perched on my camera on another tripod.  I placed the SB-600 (slave) to one side and turned the flash head/softbox up towards the ceiling.  My camera was turned sideways (portrait) and the SB-700 (master) flash head was turned up towards the ceiling as well.  

I had to program my SB-600 as a slave.  Not having any instruction book handy, I just played with a couple buttons.  Okay, not knowing what all the icons and symbols meant...I headed over to my buddy Google.com and found what I needed.  I made the change on my flash to slave and it gave me the default channel 3 and group A.  

I configured my SB-700 to master which entailed holding down a button and turning the flash on to Master on the dial.  That was way too simple.  I tried a test flash with the master flash and noticed my slave wasn't going off.  Hmmmmm.  I remembered the number 3 and the letter A from the slave flash default setting.  I looked at the settings again on the master and noticed it was on channel 1.  A quick change to channel 3 and I was all set.  

It took several shots before I finally got the hang of taking a self portrait using the two flashes.  Here's my first studio test shot.  

BTW, I also used my corded remote control to take the pictures.  All I had to do was plug it into my camera and it was ready to go.  

I'm just having way too much fun!